Showing posts with label gesture. Show all posts
Showing posts with label gesture. Show all posts

Thursday, November 08, 2007

Matrix 071


Matrix 071 Oil on Canvas. 8" X 10". Finding the figure in abstraction.
Matrixing, leveraging the mind using the theories of Gestalt psychology. I find my best abstractions to be a matrix for the viewer to unveil their own forms. This painting is one example. As are the other pieces from my "Finding the figure in abstraction" series. The Gestalt effect refers to the form-forming capability of our senses, particularly with respect to the visual recognition of figures and whole forms instead of just a collection of simple shapes; lines, curves or other smaller visual elements that comprise the whole composition.

A few other descriptions:

Matrixing is a term used to describe the human mind's natural tendency to find familiar forms in complex shapes or colors.

Matrixing is a process by which we humans continually organize, order, align, or standardize, the un-organized, un-ordered, mis-aligned, or non-standardized, allowing us to manage the chaos around us into something that is more beneficial to us.

A matrix is a system that abounds in creativity.

Tuesday, November 06, 2007

In the Light


In the Light Oil on Canvas. 8" X 10".

Finding the figure in abstraction.

Another in my series of automatic gesture paintings. I call them this because the images are evoked through conscious thought transferred during the process of freely applying the medium in this case oil paint.

As I paint with a conscious idea in mind I let my subconscious mind guide me as I pull out the subject through my mark making. This process allows me to keep a fresh unexpected beauty, and create the most wonderful intricate details of form.

Tuesday, October 30, 2007

Woman of the Red Earth


Woman of the Red Earth Oil on Canvas. 8" X 10".

Another in my series of automatic gesture paintings. I call them this because the images are evoked through the process of applying the paint freely and then in retrospect letting my subconscious mind guide me in pulling out the subject from the initial mark making session.

I have found this process to be truer to my nature than any other I have experimented with. And because of that I create more genuine and unique imagery. Imagery that is painterly and compositions that are fluid binding the aspects of figure and ground into a cohesive whole.

In the end the process and overall painting are more important to me than the subject. Although I am amazed and inspired at the profound images I often find. The concept; that even in my intentional attempt to create random subconscious marks my conscious mind still insists on finding patterns, shapes and form.

I find this to be a very human condition. And one worthy of exploring. I hope you find your own inspiration in it.

Friday, July 27, 2007

West, Fall, Black


Reflection of the Human Condition - West, Fall, Black. 4" X 5". Oil on Canvas. Four Winds, Four Directions, Four Seasons, Four Races...

Monday, July 23, 2007

Four Winds


Four Winds - Reflection of the Human Condition. 4" X 5". Oil on Canvas. This is the beginning of a mini series in my painting a day series: Four Directions, Four Seasons, Four Races... North, Winter, White - East, Spring, Red - South, Summer, Yellow - West, Fall, Black.

Saturday, July 21, 2007

Wednesday, July 18, 2007

Tuesday, July 17, 2007

Tuesday, July 10, 2007

Monday, July 09, 2007

Flight of Icarus


Flight of Icarus. Oil on Canvas. Greek Mythology. see wikipedia: Flight of Icarus for more.

Wednesday, June 13, 2007

Friday, June 01, 2007

Thursday, May 10, 2007

Wednesday, May 09, 2007

Sunday, April 22, 2007

Wednesday, April 18, 2007

It's Wonderful Life GBW207


Glass Block - It's Wonderful Life Pastel on (300 lb. cold pressed) Watercolor paper 18" X 24". I didn't get an image of this piece before it was behind glass so there is a little reflection from the glass going on.

Monday, March 26, 2007